A post just crossed my dash that put the worst taste in my mouth. I don’t want to reblog it, but I do want to address the contents because I think the subject is super important.
The post basically boiled down to: fanfic writers are thin-skinned babies “these days” because no one can take constructive criticism. In “my day” we all sent page-long critiques like the dedicated heroes we were! It made us better writers! Moreover, if I didn’t like something, I told the writer all about it! It was my job!
Hold up, what?
I’ve been posting fanfic online since 1998. Twenty years. Pre-archives. And “in my day” we had betas if we wanted/needed/asked for them (whose critiques didn’t have an audience). We said “concrit welcome” if we actually wanted constructive criticism. We did not show up unannounced to point out a work’s flaws because that is rude. Look, I am an editor. People pay me real money to edit things for them. I would rather cut off my own fingers than burst into someone’s comments and start “critiquing” their work without being asked first.
Here’s something that needs to be addressed: fanfiction is real writing, yes, but it is, by its nature as something that isn’t monetized, a hobby. As in, a thing people do for fun. A thing that hopefully brings both authors and readers joy! The story an author posts is a gift; how dare anyone rip a gift apart in front of the gift-giver and all the other party attendees? How entitled and ungrateful can you be? Fandom is not a frigging battleground where authors learn to harden themselves for war. It’s a hobby. Done out of love and enthusiasm.
Yes, some fanfiction writers (certainly not all!!) aspire to be original fiction writers. They may use fanfiction as a training ground. They may want or benefit from constructive criticism. Still, they have to ask. They have to start the conversation. I know (think?) it’s harder to find betas these days, but it’s always worth asking around if real critique is what you want. Put “concrit welcome and even begged for” in the author’s notes and hope someone takes you up on it.
Some fanfiction writers with original fiction aspirations still don’t want criticism about their fic. Fic may be their fun-writing outlet. It may be about instant gratification (and there’s nothing wrong with that; we’re not in the business of denying ourselves pleasure out of some moral superiority here. It’s fandom). It may be the place where they post to get around their fears of showing things to others. It may be the place they take risks they wouldn’t in their original work because the stakes are lower. When you work on your original writing all day, every day—often putting that work through far more vigorous and exhausting paces than fanfic sees—the last thing you want is someone showing up during your time off to point out a frigging comma splice or shift in POV.
The point is unless someone asks for critique, you don’t know what’s going on with them. Maybe fic is the only fun thing they have in their lives. Maybe they’re writing in a different language. Maybe they are 14. Or 82. Maybe they’ve never written fiction of any kind before and this is their baby step forward. Maybe fic is just escapism. Maybe they are depressed or anxious as hell and criticism is going to push them over an edge. Fandom belongs to everyone. Not just people deemed “good” or “perfect” or “permitted” or “thick-skinned.” People don’t need to be saved from grammar mistakes or poor turns of phrase or even plotholes so wide a semi could drive through them. Authors sure as hell don’t need to be told when a reader just doesn’t like something. There is no fandom police force in charge of perfection. If critique is so important to you, advertise your willingness to beta. If you do not like a story or think it’s “bad” hit the freaking back button.
Unsolicited criticism is not helpful. Maybe you just catch someone off-guard and startle them. At worst, you may totally shatter someone’s self-esteem while they are partaking in a hobby they 100% do for fun—and not in pursuit of some unattainable perfection.
Don’t ruin a stranger’s day or week or hobby because you “know better” and somehow think you need to prove it. You don’t.
I’ve been toying with the idea of a new SWTOR fanfiction featuring Theron Shan (because I am WEAK) and an(other) Imperial agent, something a big more action-focused than my current work. Kind of a Burn Notice meets Hawkeye/Black Widow sort of deal, with Theron as disaster carnie Hawkeye and my Chiss agent as the Widow (not an actual crossover, ‘cause I’m not really into those, but more that sort of flavour to the characters). It’s more of a side piece (heh) as I’ve got the next two chapters of Immortals halfway written and the third one plotted out (I’m a bit burnt out on Dragon Age so I’m taking a break from Scars Beyond Counting although I’ve got the next chapter of that plotted out, too).
Not sure if I should work on it (sometimes taking a break to focus on something new helps jar new ideas into place) or focus on Immortals right now. Not sure how interested folks would be in a non-Theron/Vector/Miranza setup; I know sometimes people get uppity about authors who pair their “usual” characters with other people, like somehow that’s me cheating on these fictional people I’m writing about …
Annnnnd now I have five Word documents open on my desktop (two “Notes” documents for characters and plot points, one first chapter for the new work, two WIP chapters for Immortals) and nine different tabs open in Chrome, for research (and Tumblr).
Shout out to all my followers/reader/enablers. You da real MVPs!
And now I have to pay attention to characterization between two different versions of Theron Shan. I mean, yeah, I should be paying attention to characterization regardless, but now it’s two different versions of the same freaking guy. And they are (or should be) different. Crap.
In other news, I’m an idiot, but at least I’m having fun.
Chapters: 52/? Fandom: Star Wars Legends: The Old Republic Rating: Explicit Warnings: Creator Chose Not To Use Archive Warnings Relationships: Vector Hyllus/Female Imperial Agent | Cipher Nine, Female Imperial Agent | Cipher Nine/Theron Shan, Vector Hyllus/Theron Shan, Theron Shan/Female Imperial Agent | Cipher Nine/Vector Hyllus, Felix Iresso/Jedi Consular | Barsen’thor Characters: Theron Shan, Vector Hyllus, Female Imperial Agent | Cipher Nine, Imperial Agent | Cipher Nine, Bounty Hunter (Star Wars), Lana Beniko, Male Smuggler (Star Wars), T7-O1, Female Jedi Consular | Barsen’thor, Qyzen Fess, Felix Iresso, Male Jedi Knight | Hero of Tython, The Outlander (Star Wars), Kaliyo Djannis, Koth Vortena, Senya Tirall Additional Tags: Canon-Typical Violence, Hurt/Comfort, Polyamory, Mutually Supportive Partnerships, Past Torture, Shameless Smut, Alcohol Abuse/Alcoholism, Post-Traumatic Stress Disorder – PTSD, Unhealthy Coping Mechanisms, Strong Language, Whump, Rape Recovery, Rape/Non-con Elements, Aftermath of Torture, Polyamory Negotiations Series: Part 3 of Fire Meet Detonite Summary:
The ongoing relationship between Republic SIS agent Theron Shan, Imperial Intelligence agent Miranza Gerrick and Joiner Vector Hyllus, set against the backdrop of Knights of the Fallen Empire/Knights of the Eternal Throne.
Chapters: 1/? Fandom: Star Wars Legends: The Old Republic, Star Wars – All Media Types Rating: Mature Warnings: No Archive Warnings Apply Relationships: Female Imperial Agent | Cipher Nine/Theron Shan Characters: Female Imperial Agent | Cipher Nine, Theron Shan Additional Tags: Canon-Typical Violence, Action/Adventure, Spies & Secret Agents, Hurt/Comfort, Past Torture, Strong Language, Slow Burn Summary:
Following in the wake of the disaster that was Ziost, Republic SIS Agent Theron Shan is given one last chance to keep his head above water. The assignment? Taking down the Red Blade – the Imperial agent formerly known as Cipher Nine.
Things … do not go exactly as planned. Because of course they don’t.
Despite the fact that I am not deaf, mute, or blind myself, one of the most common questions I receive is how to portray characters with these disabilities in fiction.
As such, I’ve compiled the resources I’ve accumulated (from real life deaf, mute, or blind people) into a handy masterlist.
remember when captain america punched hitler in the face on the cover of his first issue
Like the X-Men and Luke Cage weren’t created during the Civil Right’s Movement during the 60’s for no fucking reason at all…
Remember that the comics that really got the industry up and running where created by Jews in response to antisemitism and what was happening to Jews during the Holocaust.
But sure nothing at all related to social justice and equality there at all /sarcasm/
also, that book isn’t even about Superman fighting the KKK in a fictional story either, like, it’s about a guy named Stetson Kennedy who went undercover and infiltrated the KKK, then gave all their secret codes and handshakes to the Superman writers so they could do a bunch of stories where Superman fights the Klan, in order to reinforce the Klan as both villainous and worthy of ridicule.
It worked really well, too, the iteration of the Ku Klux Klan that existed at the time (before it was revived by modern white supremacists) was largely DISBANDED because of this Superman storyline, after a lot of Klan leaders went home and saw their kids Playing Superman, beating up pretend Klansmen who happened to be using their actual codes and titles.
Getting social issues involved in comics has had an actual tangible effect on dynamics in the real world, and having Superman fight the KKK in fiction actually managed to adequately shame the majority of Klansmen into disbanding their organization.
So, it makes sense to write fictional heroes as being opposed to real villains, because superheroes play a big part in forming kids’ conception of right and wrong
I got in a fight with someone recently who told me not to “make the Captain America movies all political” like. Come on. Sweaty.
Comics have always been inherently political, people may have just been too obtuse and unobservant to notice.
Nothing wrong with being an unobservant kid. Staying that way as an adult is another matter.
Someone thinking that comics didn’t used to be political in the golden/silver/bronze age is perfectly understandable provided of course that person is someone who has never actually read like 95% of any of the comic books written in the golden, silver and bronze age
I mean for the love of god, Fake Fanboys…Mike Friedrich, Chris Claremont, John Ostrander…fucking JERRY SIEGEL AND JOE SHUSTER and Jack “The King” Kirby…
COMICS HAVE ALWAYS BEEN POLITICAL
ALWAYS
SUPERHEROES ARE LITERALLY LITERALLY SOCIAL JUSTICE WARRIORS
Since the 1940′s they have literally been warriors fighting for social justice like
THAT’S CANON
Sorry to break this to you Republicans but comics have NEVER and WILL NEVER be for you
Go read Orson Scott Card or some other godawful rubbish like that and leave comics to those of us with TASTE
Chapters: 1/? Fandom: Star Wars Legends: The Old Republic, Star Wars – All Media Types Rating: Mature Warnings: No Archive Warnings Apply Relationships: Female Imperial Agent | Cipher Nine/Theron Shan Characters: Female Imperial Agent | Cipher Nine, Theron Shan Additional Tags: Canon-Typical Violence, Action/Adventure, Spies & Secret Agents, Hurt/Comfort, Past Torture, Strong Language, Slow Burn Summary:
Following in the wake of the disaster that was Ziost, Republic SIS Agent Theron Shan is given one last chance to keep his head above water. The assignment? Taking down the Red Blade – the Imperial agent formerly known as Cipher Nine.
Things … do not go exactly as planned. Because of course they don’t.
What I notice is that a lot of people in this community don’t get much feedback or anything in their inbox when they reblog questions, when they post a story etc. Feedback to any work is highly appreciated because we work incredibly hard to write these pieces. The reblogs are basically a writer’s way of saying “it would be amazing if one of you interacted with us! We’re bored or we want to interact with some of you so please send us something!”
Often, the writer gets little to no feedback and no asks, which deals a hard blow to their self-esteem. I cannot stress this enough; writers love you and want to interact with you. You’re not annoying them by sending something in. They love it!
Something I also noticed is that it’s only when a writer admits that they feel like quitting or is feeling upset do people begin sending asks.
Now, that is not wrong. In fact, I admire people who take the time to send asks to those in need to cheer them up. You all are doing so wonderfully and you should keep doing that.
However, when a writer openly states that they’re upset, that means they’re at their limit. I want to prevent that, so this is me saying that we have to do whatever we can to keep a writer’s confidence up.
Send more feedbacks. Interact with them! Drop a random ask saying how much you appreciate them/how much you love them! Let them know you love them and love their work! Because these messages keep a writer’s confidence up, motivates the writer and keeps them happy. A lot of times writers don’t feel that pleased with their own work, I know some who have a record low self-esteem and I know for a fact that they aren’t the only ones in the community.
So let’s not just send things in when a writer has reached their limit. Take a little time to send something in to make sure they don’t reach that point. They devote so much time and effort to their blog, to their stories and to you, and it’s all for you, their followers. We should take a minute to send some love in return for the countless hours they give us.